Tag Archives: Angela Rega

Freedom

To celebrate and raise awareness of Equus‘ release, some of the anthology contributors participated in a group interview. I sent them all several interview questions and they sent their responses. Instead of sharing one person’s interview each day, however, I’m going to share one question and everyone’s responses 🙂

I’d be lying if I said I hadn’t considered going with a Braveheart-type graphic for this one, but I resisted* 😉

Today’s question is…

Once the anthology was done and I was re-reading it for copyedits it occurred to me that though the stories were tied together by the equine theme, of course, they also had one other theme in common–freedom. Is that something you were consciously thinking about as you wrote your story?

“Hennessy and Peregrine’s battle for their freedom was always part of the plot, but certainly not the foundation of the concept! We both think it’s really cool that they all have a freedom theme though!”

V.F. LeSann

author of, "Riders in the Sky"

“I’m a total pantser, so I don’t tend to think about theme until after I have a draft of a story I want to tell, but once I had that draft, freedom was something I considered in my rewrites. Michelle’s theme song while I was writing was Van Halen’s “Unchained.””

Chadwick Ginther

author of, "Scatter the Foals to the Wind"

“Although it wasn’t what I was consciously thinking about when I wrote it, I find a lot of my stories are about freedom. The search for freedom to be is an intrinsic part of what it means to be alive. Well, it is for me.”

Angela Rega

author of, "The Horse Witch"

“Huh! I wasn’t consciously thinking about freedom, no. Which is sort of sad since one of my characters is a slave…”

K.T. Ivanrest

author of, "Lightless"

“I’m not surprised. I think a lot of people see horses as symbols of freedom.

As for me, freedom’s all I think about.”

Cat McDonald

author of, "The Last Ride of Hettie Richter"

“Yep! I actually have a passage where Demy’s thinking of the freedom she felt when she was on Foxy’s back, and how her motorcycle gives her some of that freedom back. Demy’s definitely still in pursuit of freedom in a lot of ways–freedom from her past, freedom from her sorrows, freedom from magic. Of course, we see how that works out for her. :D”

Stephanie A. Cain

author of, "To Ride a Steel Horse"

“Sort of. It was in the DNA at the time. I wrote this story in October 2016, literally the same week a certain American presidential candidate was caught on tape confessing to molesting women. The horror and nausea of that time period (that still hasn’t ended) is in Eli. I was also watching 70s films about fast cars and escaping from prison, too (specifically “Jackson County Jail”) and reading Bruce Springsteen’s biography, and being impressed by this overwhelming feeling — that the only thing that matters, politically or otherwise, is freedom. And I think every election cycle feels like that is on the line, no matter where you fall politically. All of that is in Eli.”

Michael Leonberger

author of, "Eli the Hideous Horse Boy"

“In an odd way, yes. The last book in my Tattooed Witch trilogy was published in December, 2016. In tone, the trilogy tends to be passionate and dark, exploring themes of love and death, in particular. I wanted to free myself from that – to write something much lighter – Ladies Day was the result. As writers, we all write what we are. I have a dark, passionate side, but I also adore the ridiculous. I had fun coming up with what I thought were silly ideas and scenes. I had been doing a lot of research on the Edwardian period for my upcoming novel. The Edwardians were all about having a good time, if we take King Edward VII, who was quite the playboy, as an example. Throw horses and the Edwardians together, and you have the Ascot. Mix in outrageous hats, snobbery, the marriage market, and cheating duchesses for fun. Add a dollop of magic. Why not?”

Susan MacGregor

author of, "Ladies Day"

*by ‘resisted’ I mean I spent a bunch of time trying to figure out how to add Braveheart face paint to the horse in the graphic at the top of the page before surrendering and just getting on with things 😉

If you haven’t done so already, be sure and pick up your copy of Equus today, maybe if it sells enough I’ll make enough money to buy some graphic design lessons 😉

…just kidding, that’s totally not what I’d spend the money on, but buy the book anyway LOL

Equine Favourites

To celebrate and raise awareness of Equus’ release, some of the anthology contributors participated in a group interview. I sent them all several interview questions and they sent their responses. Instead of sharing one person’s interview each day, however, I’m going to share one question and everyone’s responses 🙂

Today’s question is…

Aside from Equus, what are your favourite equine-related books or short stories?

“When I was a kid, I devoured anything about horses. My early favorites were the books by Maguerite Henry, of course. I also liked the Black Stallion books, but my favorite of Walter Farley’s books was Man O’War. Tamora Pierce, while she doesn’t write specifically about horses, always has great horses in her books–Moonlight in the Alanna books and Peachblossom in the Protector of the Small series. In high school I loved the Mercedes Lackey Arrows of the Queen trilogy.

A few years ago I fell desperately in love with The Scorpio Races by Maggie Stiefvater, which I still think contains the scariest scene I’ve ever read. I have the audiobook, which is lovely, and also have the paperback–which last year I had signed when I finally got to meet Maggie!

Other horse books I loved so much I still own: Swampfire by Patricia Cecil Hass, The Blue Sword by Robin McKinley, The Last Unicorn by Peter S. Beagle, and The Horse and His Boy by C.S. Lewis (despite the problematic elements).”

Stephanie A. Cain

author of, "To Ride a Steel Horse"

“One of my favourite books of all time is one I acquired in my early twenties called The Unicornis Manuscripts: On the History and Truth of the Unicorn. I absolutely love the blur between reality and myth in this book.”

Angela Rega

author of, "The Horse Witch"

“Sleepy Hollow. The Headless Horseman’s Horse. I’m really thinking the movie here, because THERE’S a horse: black steed, snorting hellfire,literally galloping out of a tree. And the guy who rides him is a headless Christopher Walken? Perfect.” Michael Leonberger

author of, "Eli the Hideous Horse Boy"

“I read Black Beauty until it fell apart when I was a little girl!” Cat McDonald

author of, "The Last Ride of Hettie Richter"

“In junior high I read pretty much every Saddle Club book in existence and made it my life goal to eat ice cream like Stevie Lake; apart from those and Black Beauty, I haven’t actually read too many equine stories. But I did recently read Maggie Stiefvater’s The Scorpio Races—not at all the sort of horses I was expecting! *Backs away slowly*”

K.T. Ivanrest

author of, "Lightless"

Megan: Bahahaha! Oh no, you don’t have any!

Leslie: [Censored!!] I haven’t even read The Last Unicorn yet because you haven’t given it to me!

Megan: I lent it to my mom first! (Side note: Welcome to the gritty world of co-authoring. It’s basically just this, all the time.) For my part – absolutely, yes, The Last Unicorn is a must-read. The Unicorn Chronicles by Bruce Coville was a childhood favourite. Oh, oh, oh! And The Transfigured Hart, by Jane Yolen! Another elementary school fave!

V.F. LeSann

author of, "Riders in the Sky"

“Oh, the reading list of a horse girl! It’s a long one. Classics such as King of the Wind, my personal favorite Marguerite Henry, are obvious choices, but I’m also a fan of horse-heavy fantasy such as Wild Magic by Tamora Pierce, The Foretelling by Alice Hoffman, Bruce Coville’s Unicorn Chronicles, and Horsemaster by Marilyn Singer, with Audrey Coulthurst’s Of Fire and Stars being a recent new favorite. In nonfiction, there’s no better introduction to the Sport of Kings than Joe Palmer (look for his collection This Was Racing), and The Greatest Horse Stories Ever Told, edited by Steven Price, is a great round-up of tales about racehorses, warhorses, cowhorses, and more.” Diana Hurlburt

author of, "Eel and Bloom"

What are your favourite equine books? Leave a comment to share them, and, if you haven’t done so already, be sure and pick up your copy of Equus today. It might be a new addition to your list! 🙂

Equine Attraction

To celebrate and raise awareness of Equus‘ release, some of the anthology contributors participated in a group interview. I sent them all several interview questions and they sent their responses. Instead of sharing one person’s interview each day, however, I’m going to share one question and everyone’s responses 🙂

Today’s question is…

What drew you to write about the type of equine that features most prominently in your story? If you were suddenly turned into an equine is that the type you’d choose to be?

“Flying horses came about because one of the inspirations for my story was the myth of Phaethon driving the chariot of the sun. The starfire rose out of the setting and needs of the plot, and ended up being my way of connecting the horses more closely to the people than just “we need them for transportation and status symbols.” If I were turned into an equine, I could definitely go for glowing space Pegasus!”

K.T. Ivanrest

author of, "Lightless"

“I guess I wanted to write about a demon because of the combination of emotional and physical power they represent. Although I’d like to say “sure, becoming a demon would be neato!”, I think maybe I and most other people already kind of are.”

Cat McDonald

author of, "The Last Ride of Hettie Richter"

“I’m a huge fan of Irish mythology, probably because my genealogy is mostly Irish-German, but also because there are some awesome critters in Irish mythology. I particularly love the combination of flesh-eating and horse, because I’m a bloodthirsty little monster. I’m drawn to predators in the natural world–wolves, orca, birds of prey, snakes–and I love how the mythology of the each uisca turns an herbivore into a predator. In addition, one of my favorite books is The Scorpio Races by Maggie Stiefvater, which is basically the same mythology I’m using, even if she calls them capaill uisce.

So yes, all things considered, I think I’d like being an each uisce–especially since they have shapeshifting abilities, so whenever I started missing opposable thumbs, I could take human form. :D”

Stephanie A. Cain

author of, "To Ride a Steel Horse"

“I’ve mostly avoided featuring horses in my work so far–until I saw the open call for Equus which really got the creative juices percolating. As cool as it would be to capable of running on air or water, I think I’d want to avoid any kind of personal connection to Loki. I’m not sure I need my life to be that interesting.”

Chadwick Ginther

author of, "Scatter the Foals to the Wind"

“Growing up in Florida gave me a great love of water, fresh and salt alike. Nixies, kelpies, and capaill uisce popped up in fantasy stories and books of mythology I read as a kid, and caught my horse girl’s imagination. The stories I loved best as a young reader naturally feed my work as an adult creator, and I decided to play around with the idea of water horses local to my own landscapes: thus the limerunner, a water horse found in the marshes and limestone-rich springs of central Florida, was born. Though I enjoyed sketching out their relative trainability, vicious teeth, and cloven hooves, if I could be any equine I’d have to go with a beautiful Lipizzan (who can also be found in Florida!).”

Diana Hurlburt

author of, "Eel and Bloom"

“I have always been obsessed with the Elephant Man, and I think that obsession sort of led me to write about a deformed young man who believed himself to be the son of a pegasus — that that might help explain some of his deformities. Imagination makes the mundane or tragic possibly magical. I love stories about people who imagine themselves into places better than where they are, whose souls burst out of their bodies. The story of Eli asks if that backstory is real or not, but more importantly: does it matter?”

Michael Leonberger

author of, "Eli the Hideous Horse Boy"

“The Australian Brumby is a very special horse. They live in the wild without human interference but their population growth has become an issue and there has been much debate and conflict in their management and population control. On one hand they are a symbol of the wild and form part of the Australian identity; many of them were used as war horses in World Wars 1 and 2 on the other hand they are seen as feral creatures that damage the environment and require culling. It is a very sensitive issue and I found this dichotomy in their representation what I wanted to write about.

If I was suddenly turned into an equine in the real world, I think I might be a stockhorse with a heavy load in need of a shoe change, if I was turned into an equine in my dream world I would be a Pegasus that roamed the night skies and gathered stardust in my mane.”

Angela Rega

author of, "The Horse Witch"

Leslie: I wanted to do something against the grain for Equus, something less frilly and majestic, more fire and rock music. We debated Horsemen of the Apocalypse for a while, but then I remember the Nightmares from D&D and remembered that they were my favourite! Then we found a song – Ghostriders in the Sky – and we had our fire and our rock music.

Megan: That sounds very glamorous and triumphant. She’s leaving out the part where she was flopped over a pint moaning about having no equine inspiration.

V.F. LeSann

author of, "Riders in the Sky"

Honestly, if I were transformed into some kind of equine I think I’d want to go for one of the shapeshifting varieties on account of the fact I’m pretty fond of having opposable thumbs. Aside from that, though, I’ve gotta say sparkly space Pegasus kinda sounds sweet…

If you haven’t done so already, be sure and pick up your copy of Equus today so that you, too, can discover the awesomeness of the equines these authors are talking about!

Equus Contributor Blog Tour

Equus is going to be out soon. Very soon.

Leading up to its release I wanted to spend a little time introducing you to some of the contributors. A half dozen of them took some time to write guest blogs that will give you a peek inside their writing processes, inspirations or skillz with a crayon.

Here’s the schedule. If all goes well:

I am totally excited about this tour and I hope you’ll swing by each of those blogs on their scheduled day to check them out 🙂

Cover by Jonathan C. Parrish

Pre-order Equus now:

World Weaver Press
Amazon
Barnes and Noble
Kobo
iBookstore

 

Equus Cover Reveal

Cover by Jonathan C. Parrish

Is it a horse? A unicorn? A pegasus? One of the best things about this cover for Equus is that you can’t tell — but you know it is equine. The cover was done by Jonathan C. Parrish and I love it. I think the sparkles add the perfect fantastical element, the equine is beautiful and the white will stand out among the other covers of the series while still fitting in with them. It’s an awesome collection and I’m super happy that it has an equally amazing cover to go with the stories!

There’s always something magical about horses, isn’t there? Whether winged or at home in the water, mechanical or mythological, the equines that gallop through these pages span the fantasy spectrum. In one story a woman knits her way up to the stars and in another Loki’s descendant grapples with bizarre transformations while fighting for their life. A woman races on a unique horse to save herself from servitude, while a man rides a chariot through the stars to reclaim his self-worth. From steampunk-inspired stories and tales that brush up against horror to straight-up fantasy, one theme connects them all: freedom.

Featuring nineteen fantastic stories of equines both real and imagined by J.G. Formato, Diana Hurlburt, Tamsin Showbrook, M.L.D Curelas, Laura VanArendonk Baugh, VF LeSann, Dan Koboldt, J.J. Roth, Susan MacGregor, Pat Flewwelling, Angela Rega, Michael Leonberger, Sandra Wickham, Stephanie A. Cain, Cat McDonald, Andrew Bourelle, Chadwick Ginther, K.T. Ivanrest, and Jane Yolen.

Pre-order your copy now:

World Weaver Press
Amazon
Barnes and Noble
Kobo
iBookstore

 

Add Equus to your Goodreads To-Read shelf now!

 

Equus Cover Wrap

 

Equus Table of Contents

Equus

It’s time, it’s time, it’s time!

I was telling the contributors to this anthology that I look at the TOC reveal a bit like the part of a show where the house lights go down and the curtain begins to open. Not wide open, just a peek — enough to whet your appetite and make you excited for what’s about to come next. This is me introducing you to the anthology… the cover reveal is, I dunno, the handshake perhaps? And the release is when you really get to know one another.

I love Equus. I think it’s the strongest anthology I’ve ever put together and I can barely wait for you to meet and fall in love with it like I have, but for now the introduction. The lights are going down… here’s your peek behind the curtain:

Equus Table of Contents

 

Stars, Wings, and Knitting Things by J.G. Formato

Eel and Bloom by Diana Hurlburt

A Complete Mare by Tamsin Showbrook

Neither Snow, nor Rain, nor Heat-Ray by M.L.D Curelas

Rue the Day by Laura VanArendonk Baugh

Riders in the Sky by VF LeSann

Above the Silver Sky by Dan Koboldt

A Mother Unicorn’s Advice to Her Daughter by J.J. Roth

Ladies Day by Susan MacGregor

The Boys from Witless Bay by Pat Flewwelling

The Horse Witch by Angela Rega

Eli the Hideous Horse Boy by Michael Leonberger

Different by Sandra Wickham

To Ride a Steel Horse by Stephanie A. Cain

The Last Ride of Hettie Richter by Cat McDonald

We Us You by Andrew Bourelle

Scatter the Foals to the Wind by Chadwick Ginther

Lightless by K.T. Ivanrest

A Glory of Unicorns by Jane Yolen

Release date: July 2017

Be sure and add it to your shelves on Goodreads in the meantime 🙂