Equine Attraction

To celebrate and raise awareness of Equus‘ release, some of the anthology contributors participated in a group interview. I sent them all several interview questions and they sent their responses. Instead of sharing one person’s interview each day, however, I’m going to share one question and everyone’s responses 🙂

Today’s question is…

What drew you to write about the type of equine that features most prominently in your story? If you were suddenly turned into an equine is that the type you’d choose to be?

“Flying horses came about because one of the inspirations for my story was the myth of Phaethon driving the chariot of the sun. The starfire rose out of the setting and needs of the plot, and ended up being my way of connecting the horses more closely to the people than just “we need them for transportation and status symbols.” If I were turned into an equine, I could definitely go for glowing space Pegasus!”

K.T. Ivanrest

author of, "Lightless"

“I guess I wanted to write about a demon because of the combination of emotional and physical power they represent. Although I’d like to say “sure, becoming a demon would be neato!”, I think maybe I and most other people already kind of are.”

Cat McDonald

author of, "The Last Ride of Hettie Richter"

“I’m a huge fan of Irish mythology, probably because my genealogy is mostly Irish-German, but also because there are some awesome critters in Irish mythology. I particularly love the combination of flesh-eating and horse, because I’m a bloodthirsty little monster. I’m drawn to predators in the natural world–wolves, orca, birds of prey, snakes–and I love how the mythology of the each uisca turns an herbivore into a predator. In addition, one of my favorite books is The Scorpio Races by Maggie Stiefvater, which is basically the same mythology I’m using, even if she calls them capaill uisce.

So yes, all things considered, I think I’d like being an each uisce–especially since they have shapeshifting abilities, so whenever I started missing opposable thumbs, I could take human form. :D”

Stephanie A. Cain

author of, "To Ride a Steel Horse"

“I’ve mostly avoided featuring horses in my work so far–until I saw the open call for Equus which really got the creative juices percolating. As cool as it would be to capable of running on air or water, I think I’d want to avoid any kind of personal connection to Loki. I’m not sure I need my life to be that interesting.”

Chadwick Ginther

author of, "Scatter the Foals to the Wind"

“Growing up in Florida gave me a great love of water, fresh and salt alike. Nixies, kelpies, and capaill uisce popped up in fantasy stories and books of mythology I read as a kid, and caught my horse girl’s imagination. The stories I loved best as a young reader naturally feed my work as an adult creator, and I decided to play around with the idea of water horses local to my own landscapes: thus the limerunner, a water horse found in the marshes and limestone-rich springs of central Florida, was born. Though I enjoyed sketching out their relative trainability, vicious teeth, and cloven hooves, if I could be any equine I’d have to go with a beautiful Lipizzan (who can also be found in Florida!).”

Diana Hurlburt

author of, "Eel and Bloom"

“I have always been obsessed with the Elephant Man, and I think that obsession sort of led me to write about a deformed young man who believed himself to be the son of a pegasus — that that might help explain some of his deformities. Imagination makes the mundane or tragic possibly magical. I love stories about people who imagine themselves into places better than where they are, whose souls burst out of their bodies. The story of Eli asks if that backstory is real or not, but more importantly: does it matter?”

Michael Leonberger

author of, "Eli the Hideous Horse Boy"

“The Australian Brumby is a very special horse. They live in the wild without human interference but their population growth has become an issue and there has been much debate and conflict in their management and population control. On one hand they are a symbol of the wild and form part of the Australian identity; many of them were used as war horses in World Wars 1 and 2 on the other hand they are seen as feral creatures that damage the environment and require culling. It is a very sensitive issue and I found this dichotomy in their representation what I wanted to write about.

If I was suddenly turned into an equine in the real world, I think I might be a stockhorse with a heavy load in need of a shoe change, if I was turned into an equine in my dream world I would be a Pegasus that roamed the night skies and gathered stardust in my mane.”

Angela Rega

author of, "The Horse Witch"

Leslie: I wanted to do something against the grain for Equus, something less frilly and majestic, more fire and rock music. We debated Horsemen of the Apocalypse for a while, but then I remember the Nightmares from D&D and remembered that they were my favourite! Then we found a song – Ghostriders in the Sky – and we had our fire and our rock music.

Megan: That sounds very glamorous and triumphant. She’s leaving out the part where she was flopped over a pint moaning about having no equine inspiration.

V.F. LeSann

author of, "Riders in the Sky"

Honestly, if I were transformed into some kind of equine I think I’d want to go for one of the shapeshifting varieties on account of the fact I’m pretty fond of having opposable thumbs. Aside from that, though, I’ve gotta say sparkly space Pegasus kinda sounds sweet…

If you haven’t done so already, be sure and pick up your copy of Equus today so that you, too, can discover the awesomeness of the equines these authors are talking about!

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