Published: Feeders

Bete Noire Issue #12I’m super pleased to announce that my short story, Feeders, has been published in issue #12 of Bete Noire Magazine. Feeders is a fun little story about the zombie apocalypse as told from the point of view of a cat.

I know, I know, everyone does the animal point of view stories. But it’s cute. It really, really is.

Know what else makes me happy? I’m sharing a table of contents with Marge Simon, Bruce Boston, Robert Laughlin, J.S. Watts and loads more talented writers.



Apropos of Nothing…my desktop

Do you remember a few years ago there was a meme/trend thing where people were taking screenshots of their desktops and sharing them? No? Well, trust me. In some subcultures of the internet it really was a thing. Honest.

I was thinking about that the other day. I really liked it. I think you can learn a lot about a person based on their desktop. Some people very obviously orchestrated theirs to give a certain impression, but that, too, told me a lot about them. So I thought I’d share my desktop today (and maybe again when it changes, if people are interested) because why not? And also, because I have the best desktop wallpaper ever these days.

This is the desktop of my main computer, which these days I use for both work and gaming because my laptop is on its last legs:

My Desktop (Summer 2013)

This is one of my favourite moments in wrestling ever so Jo was sweet enough to capture the screen from the dvd for me. Cause he’s cool like that.

What does your computer’s desktop look like?

Thoughts on Metastasis

Metastasis CoverWe’re at a bit of a lull in the production cycle of Metastasis, which makes it the perfect time for me to gather some of my thoughts on it to share.

The creation of this anthology, much like Niteblade, has sort of a sine wave of activity, one week I’m rushed off my feet and feel like my brain is going to explode and the next I’m coasting along with plenty of time on my hands and space in my mind.

With Metastasis things were really busy right at the beginning when we made the announcement and the first big wave of submissions came in, then the activity slowed to a trickle for the bulk of the time we were open for submissions, only to peak again right before the deadline.

After the deadline things got really hectic around here while I read subs and trimmed my selections down to a short list and then to the final bunch I accepted. It didn’t slow down then, though. Once I had the stories and poems chosen we jumped into editing mode, then came paperwork time and now there’s a slight lull, as I said, before we move into final pre-publication stuff and then, finally, onto promoting and selling the book.

This anthology is fantastic. It shines. It really does. And frankly, it had to. I am dedicating my efforts in this anthology to the memory of my mother, so while this is a professional effort on my part it is also very, very personal. And it’s not just personal for me, it’s personal for a great many of the contributors as well. So while I tend to try to rein in my perfectionist streak most of the time, I mostly let it run free while I was working on this book.

And editing it? It was in-freaking-tense. I read each story, each poem, over and over and over again. Through the editing process and again while I figured out the order to put the pieces in, and then again and again to make sure that it all flowed how I wanted it to. Over and over. And these are not light-hearted fun stories. Not even the lightest of them. They aren’t all grim but, I mean, we were dealing with cancer as a theme, it’s pretty tough to make that all rainbows and cotton candy. I didn’t realize just how deeply it was affecting me until I was sitting in a movie theatre watching Pacific Rim and while giant robots and humongous monsters were destroying cities and using ocean liners as maces to smack each other around, I had a constant stream of tears flowing out from below my 3-d glasses. #truestory

Which is not to say the process between accepting stories and now was without its light moments. One of my favourites came as I was playing World of Warcraft and one of my best friends, BD Wilson, sent me an in-game message which said, “For the sake of my ego I submitted to Metastasis using a fake name. Now that my story has been accepted can we publish it under my real one?” Good times.

So I think what I’m trying to say is working on Metastasis has been an emotional roller coaster ride and, well, it’s not over yet 😉


Autumn fairy sitting on a mushroomI adore fairy tales, but it occurred to me not so long ago, that a remarkably large number of fairy tales don’t actually have fairies in them. I want to bring more fairy stories, modern fairy stories, to the world and that goal is the heart of my latest anthology project: Fae.

Historically speaking fairies have been mischievous or malignant. They’ve dwelt in forests, collected teeth or crafted shoes. In Fae, we want stories that honor that rich history but explore new and interesting takes on fairies as well. We want urban fairies and arctic fairies, steampunk fairies, time-traveling and digital fairies. We want stories that bridge traditional and modern styles and while we’re at it, we want stories about fairy-like creatures too. Bring us your sprites, your pixies, your seelies and unseelies, silkies, goblins or gnomes, brownies and imps. We want them all. We’re looking for lush settings, beautiful prose and complex characters.

This anthology will be published by World Weaver Press.

Rights and compensation: Payment: $10 and paperback copy of the anthology from World Weaver Press. We are looking for previously unpublished works in English. Seeking first world rights in English and exclusive right to publish in print and electronic format for six months after publication date, after which publisher retains nonexclusive right to continue to publish for life of the anthology.

About the anthologist: Rhonda Parrish is a master procrastinator and nap connoisseur but despite that she somehow manages a full professional life. She has been the publisher and editor-in-chief of Niteblade Magazine for over five years now (which is like 25 years in internet time) and is the editor of the forthcoming benefit anthology, Metastasis. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast and Imaginarium: The Best Canadian Speculative Writing. Her website, updated weekly, is at

Open submission period: September 1 – November 30, 2013

Length: Under 7,500 words.

Submission method: Email story to fae [at] worldweaverpress[dot] com.

Simultaneous submissions = okay. Multiple submissions = no.

Please note, for this anthology I am looking for stories aimed at an adult audience. Not adult as in erotic, but adult as in not children.

Also, I prefer to receive stories as a .doc or .rtf attachment rather than in the body of your email, but I won’t turn away the latter so if you’ve already submitted, don’t panic. 🙂


September 3, 2013 – Submissions are Open!
September 4, 2013 – Edited to add note requesting submissions be aimed at adults & specifying that I prefer stories as attachments rather than in the body of the email.
October 1, 2013 – Blog post “Update from the Slush Pile: Fae Anthology
November 12, 2013 – Blog post “Editor’s Update from the Slush Pile
December 1, 2013: Submissions are currently closed. I am reading through all the stories I received. I hope to have passed on or shortlisted all the stories submitted by December 14th and have a final table of contents to send to my publisher by December 21st. If you don’t hear from me before Christmas, please query.
January 2, 2014 – I have responded to all submissions. If you submitted and have not heard back from me, please query.
January 9, 2014 – Blog post “Fae Anthology Submission Stats
February 3, 2014 – Blog post “Fae Submitted
February 12, 2014 – Blog post “Fae Table of Contents